Leelee Chan 陳麗同
Ode to Hilma 致希尔玛, 2024
found polystyrene foams, powder-coated metal lampshade, dried coral, stainless steel wheels, epoxy clay, pigment, modified gypsum composite 拾得聚苯乙烯泡沫、粉末喷涂金属灯罩、干珊瑚、不锈钢转轮、环氧粘土、颜料、改性石膏复合材料
74 x 62 x 25 cm
29 x 24 1/2 x 10 in
29 x 24 1/2 x 10 in
Further images
Leelee Chan's latest sculpture, “Ode to Hilma,” is a tribute to Swedish painter Hilma af Klint (1862-1944), a woman of immense bravery who dared to break with accepted conventions amidst...
Leelee Chan's latest sculpture, “Ode to Hilma,” is a tribute to Swedish painter Hilma af Klint (1862-1944), a woman of immense bravery who dared to break with accepted conventions amidst rapid cultural and socio-economic flux during her lifetime. This sculpture expresses her deep affection for Af Klint's visionary paintings and is a testament to her inspiring courage in capturing the present moment by merging elements of the past, present, and future. Af Klint was able to fuse complex ideas and belief systems from nature, religion, language, folk, art, science, and the occult into a radical visual vocabulary of symbols, geometric forms, ambiguous life forms, and representational motifs. This elasticity of temporality and the openness to connect convey a mutual search on how to materialize life force through the process of making. Af Klint’s paintings have been described as “a form of time traveler”. In Leelee's own work, she similarly seek to create sculpture that continuously transforms and evolves.
Leelee Chan (b. 1984, Hong Kong) makes enigmatic sculptures that incorporate urban debris, ancient artifacts, natural materials, industrial and mundane products, generating visual paradoxes in which these objects move seamlessly between past, present and future. Chan received her MFA in painting from the Rhode Island School of Design, in 2009, and her BFA from the School of Art Institute of Chicago, in 2006. In 2020, Chan was the recipient of the ninth BMW Art Journey.
陳麗同（Leelee Chan）的最新雕塑作品《向希尔玛致敬》（Ode to Hilma）是对瑞典画家希尔玛·阿夫·克林特（Hilma af Klint，1862-1944）的深情礼赞。克林特是一位极具勇气的女性，在她所处的时代，文化与社会经济急剧变迁，而她的作品敢于突破传统观念的束缚。这件雕塑作品表达了陳麗同对克林特富有远见的绘画作品的深深敬意，同时也赞颂了克林特那份令人敬佩的勇气——以独特的方式将过去、现在和未来交织于当下的创作中。克林特能够将自然、宗教、语言、民俗、艺术、科学以及神秘学等复杂的思想与信仰体系融入一种大胆的视觉语言之中。她的作品充满象征符号、几何形态、神秘生物以及具象的意象，呈现出时间的延展性与跨越性，也展现了她对生命力量的深刻探索。克林特的绘画常被誉为“一种穿越时空的艺术形式”。在陳麗同的雕塑创作中，她同样追求一种持续变化和不断进化的表达方式，仿佛让作品在时间的流转中生长、蜕变，回应着生命本身的脉动。
陈丽同（1984年出生于香港）的雕塑结合城市残片、历史文物、自然材料、工业制品和日常物件来营造耐人寻味的视觉冲突，令这些物品自由穿行于过去、现在和未来之间，反映她周身环境中香港城市变迁的纤毫。陈丽同2006年从芝加哥艺术学院获艺术学士学位，于2009年从美国罗德岛设计学院获油画系艺术硕士学位。2020年，她荣获第九届宝马艺术之旅奖项。
Leelee Chan (b. 1984, Hong Kong) makes enigmatic sculptures that incorporate urban debris, ancient artifacts, natural materials, industrial and mundane products, generating visual paradoxes in which these objects move seamlessly between past, present and future. Chan received her MFA in painting from the Rhode Island School of Design, in 2009, and her BFA from the School of Art Institute of Chicago, in 2006. In 2020, Chan was the recipient of the ninth BMW Art Journey.
陳麗同（Leelee Chan）的最新雕塑作品《向希尔玛致敬》（Ode to Hilma）是对瑞典画家希尔玛·阿夫·克林特（Hilma af Klint，1862-1944）的深情礼赞。克林特是一位极具勇气的女性，在她所处的时代，文化与社会经济急剧变迁，而她的作品敢于突破传统观念的束缚。这件雕塑作品表达了陳麗同对克林特富有远见的绘画作品的深深敬意，同时也赞颂了克林特那份令人敬佩的勇气——以独特的方式将过去、现在和未来交织于当下的创作中。克林特能够将自然、宗教、语言、民俗、艺术、科学以及神秘学等复杂的思想与信仰体系融入一种大胆的视觉语言之中。她的作品充满象征符号、几何形态、神秘生物以及具象的意象，呈现出时间的延展性与跨越性，也展现了她对生命力量的深刻探索。克林特的绘画常被誉为“一种穿越时空的艺术形式”。在陳麗同的雕塑创作中，她同样追求一种持续变化和不断进化的表达方式，仿佛让作品在时间的流转中生长、蜕变，回应着生命本身的脉动。
陈丽同（1984年出生于香港）的雕塑结合城市残片、历史文物、自然材料、工业制品和日常物件来营造耐人寻味的视觉冲突，令这些物品自由穿行于过去、现在和未来之间，反映她周身环境中香港城市变迁的纤毫。陈丽同2006年从芝加哥艺术学院获艺术学士学位，于2009年从美国罗德岛设计学院获油画系艺术硕士学位。2020年，她荣获第九届宝马艺术之旅奖项。
