The gallery ceiling is lowered, covered in white cardboard with portions spray-painted to conjure a cheap version of the sky. Two stylized sculptures sit in the space, reminiscent of the circulatory...
The gallery ceiling is lowered, covered in white cardboard with portions spray-painted to conjure a cheap version of the sky. Two stylized sculptures sit in the space, reminiscent of the circulatory system of a human torso and a leg, they are hooked up to compressors with refrigerant and to timers. The sculptures alternate states depending on the timers, ice grows on the copper pipes—it freezes and thickens over time—when the timers stop they melt.
The compressed ceiling engenders anxiety and cheap, haphazard ceiling covering it implies a temporary fix for a deeper problem. The body-like forms tethered to the machines, conjure the idea of life support, and the rapid and repeated change from ice to water dramatize climate shift. The emptiness in the work along with the slightly off approximation of ‘natural’ forms and states, gives the piece an uncanny air.