Leelee Chan received her MFA in painting from the Rhode Island School of Design, in 2009, and her BFA from the School of Art Institute of Chicago, in 2006. In 2020, Chan was the recipient of the ninth BMW Art Journey. Her solo exhibitions include: Silica Meadows, Capsule Shanghai, Shanghai (2023), Antinomies, Klemm's, Berlin (2022), Pallet in Repose (Resurfacer), Discoveries, Art Basel Hong Kong (presented by Capsule Shanghai) (2021); and Core Sample, Capsule Shanghai, Shanghai (2019). Her duo exhibitions include Chrysalis Spectre, Matthew Brown Gallery, LA (2024); Strange Strangers, Para Site, Hong Kong (2023). Her selected group exhibitions include Hovering, Capsule Venice, Venice, Italy (2024, curated by Manuela Lietti); Shanshui: Echoes and Signals, M+ Museum, Hong Kong (2024); When We Become Us², Capsule Venice, Venice, Italy (2024, curated by Manuela Lietti); An Atlas of the Difficult World, Macalline Center of Art, Beijing (2024); Joan Miró – The Poetry of Everyday life, Hong Kong Museum of Art, Hong Kong (2023); Poetic Heritage in Tai Kwun Contemporary, Hong Kong (2021); Liquid Ground in Para Site, Hong Kong (2021); KölnSkulptur #10 in Skulpturen Park Köln, Cologne (2020); How Do We Begin: X Museum Triennial 1st Edition in X Museum, Beijing (2020); Holy Mosses in Blindspot Gallery, Hong Kong (2019); Notes from Pallet Town in Ullens Center for Contemporary Arts Dunes, Beidaihe (2019); Hysteresis in Downs & Ross, New York (2019); Scaffolds of Meaning in Mine Project, Hong Kong (2019); Rehearsal in Tai Kwun Contemporary, Hong Kong (2018). Chan's work can be found in the permanent collections of Long Museum, Shanghai; UBS Art Collection, Hong Kong; M+, Hong Kong; Skulpturen Park Köln, Cologne; J. P. Morgan Chase Art Collection, Hong Kong and Kadist Art Foundation, Paris/San Francisco. Her work has been featured in Frieze, Artforum, Mousse Magazine, Art Asia Pacific, the Financial Times, and Ocula, among others.
