Maya Kramer 玛雅·克莱默
Twilight Ramblers 暮光漫步, 2017
Acrylic, aluminum, copper, hydrochloric acid, ink, iron, resin, paper 丙烯、铝、铜、盐酸、油墨、铁、树脂、纸张
115 x 135 x 41.5 cm
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玛雅·克莱默的指向自然但却由人造物构成。在《暮光漫步》中，克莱默使用蓝色丙烯酸涂料作为树叶漂浮的背景色。这些叶子小心地装在一个玻璃盒中，像是在自然博物馆里的样子，但仔细看，树叶表面已经被铁锈覆盖，孔雀色的精美之下毒素蔓延。氧化的叶子在美学上看起来令人愉悦，背后隐含着溶解，腐蚀和污染。 Maya Kramer’s work refers to an object that approximates something in nature but is manmade. In Twilight Ramblers Kramer uses blue acrylic paints as the background upon which leaves...
玛雅·克莱默的指向自然但却由人造物构成。在《暮光漫步》中，克莱默使用蓝色丙烯酸涂料作为树叶漂浮的背景色。这些叶子小心地装在一个玻璃盒中，像是在自然博物馆里的样子，但仔细看，树叶表面已经被铁锈覆盖，孔雀色的精美之下毒素蔓延。氧化的叶子在美学上看起来令人愉悦，背后隐含着溶解，腐蚀和污染。
Maya Kramer’s work refers to an object that approximates something in nature but is manmade. In Twilight Ramblers Kramer uses blue acrylic paints as the background upon which leaves float; these leaves are carefully contained in a glass box, as if displayed in a natural history museum. But when one looks closely, the surfaces of the leaves are covered with rust, toxins spreading underneath their exquisite peacock pigments. The oxidized leaves seem aesthetically pleasing, but engage dissolution, decay and pollution.
Maya Kramer’s work refers to an object that approximates something in nature but is manmade. In Twilight Ramblers Kramer uses blue acrylic paints as the background upon which leaves float; these leaves are carefully contained in a glass box, as if displayed in a natural history museum. But when one looks closely, the surfaces of the leaves are covered with rust, toxins spreading underneath their exquisite peacock pigments. The oxidized leaves seem aesthetically pleasing, but engage dissolution, decay and pollution.