Leelee Chan 陳麗同
Lithic Current 石流, 2023
found plastic shipping pallets, found polystyrene foam packaging, yellow zinc-plated wheel, Unakite, metal sheet, plastic flowers, Jesmonite, stainless steel hardware, epoxy 拾得塑料运输托盘、拾得包装发泡胶、彩钢轮子、绿帘花岗岩、金属板、塑料花、矿石树脂、不锈钢硬件、环氧树脂
Main body 主体: 154 x 83 x 17 cm; 60 1/2 x 32 1/2 x 6 1/2 in
Base 底座: 15 x 100 x 100 cm; 6 x 39 1/2 x 39 1/2 in
Base 底座: 15 x 100 x 100 cm; 6 x 39 1/2 x 39 1/2 in
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Commissioned by Para Site for Strange Strangers exhibition Courtesy of the artist, Capsule, Shanghai, and Klemm's, Berlin 受 Para Site 委托为展览制作 由艺术家、胶囊（上海）和 Klemm's（柏林）提供 Chan's manipulation of plastic with epoxy clay...
Commissioned by Para Site for Strange Strangers exhibition
Courtesy of the artist, Capsule, Shanghai, and Klemm's, Berlin
受 Para Site 委托为展览制作
由艺术家、胶囊（上海）和 Klemm's（柏林）提供
Chan's manipulation of plastic with epoxy clay endows her work with a new haptic sensibility that activates our tactile imagination. In Lithic Current (2023), discarded bumper packagings are carefully sculpted to resemble stone, yet their supple bend and hollows hint at a certain plasticity similar to the weight and volume of the sculpture's central pallet fragment. The indeterminate materiality and physicality draw us closer-could this mysterious ovoid with a mineral "eye" be an ancient animist totem or some futuristic stele? - Joyce Hei-ting Wong
陈丽同运用环氧粘土改变塑胶的物质性，为作品赋予了一种激发触觉想象（tactile imagination）的匠心。在《石流》（2023）中，废弃保险杠被形塑成石质一样，但柔韧的曲线和窟窿，暗示着一种跟中心托盘残块的重量和体积相似的塑胶性。暧昧的物质性和形态引人入胜--这带有"矿物眼"的神秘卵形雕塑到底是古老的泛灵图腾，还是远自未来的石碑？——黄熙婷
Courtesy of the artist, Capsule, Shanghai, and Klemm's, Berlin
受 Para Site 委托为展览制作
由艺术家、胶囊（上海）和 Klemm's（柏林）提供
Chan's manipulation of plastic with epoxy clay endows her work with a new haptic sensibility that activates our tactile imagination. In Lithic Current (2023), discarded bumper packagings are carefully sculpted to resemble stone, yet their supple bend and hollows hint at a certain plasticity similar to the weight and volume of the sculpture's central pallet fragment. The indeterminate materiality and physicality draw us closer-could this mysterious ovoid with a mineral "eye" be an ancient animist totem or some futuristic stele? - Joyce Hei-ting Wong
陈丽同运用环氧粘土改变塑胶的物质性，为作品赋予了一种激发触觉想象（tactile imagination）的匠心。在《石流》（2023）中，废弃保险杠被形塑成石质一样，但柔韧的曲线和窟窿，暗示着一种跟中心托盘残块的重量和体积相似的塑胶性。暧昧的物质性和形态引人入胜--这带有"矿物眼"的神秘卵形雕塑到底是古老的泛灵图腾，还是远自未来的石碑？——黄熙婷