‘Ember’ (2025) depicts a detail from El Greco’s ‘Boy Blowing on an Ember’ (1571-1572), painted on a mirrored candle holder. It shows a youth emerging from the night, as he lowers a candle to ignite a flame. Enlightened by this initiatory fire, he blows on the charcoal, focused on the exchange. Imbued with the internal rhythms of life, this light at the heart of the mirror grows. Outside the portal, twin flames rise like burning trees and smolder with the impermanence of life. Their light creates a halo reflected in glass, like the moon in a sacred grove. Cycles of breath stoke an inward light, encircled by wheels of leaves. This union of opposing forces manifests a body composed of light, shining as the first aspect of the unformed universe.

《余烬》（2025）中，古董烛台的镜面上画着埃尔·格列柯（El Greco）《吹燃余烬的男孩》（Boy Blowing on an Ember，1571–1572）中的一个局部。少年从幽暗中浮现，手持蜡烛，低头吹燃一簇余烬，专注地望着光和热的流转。光从镜子的中心发散蔓延，象征着灵魂、宇宙的初始之相，和生命的内在律动。同时，烛台上两簇烛光照映在镜中，如同月亮反射太阳光辉，昭示着时间永逝，生命无常。黄铜花叶纹环绕着光的不朽之身，对立的力量在此交织，永不停息地轮回再生。