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When We Become Us²: 威尼斯

Past exhibition
2024年2月24日 - 3月23日
  • 概况
  • 作品
  • 场景图
  • 新闻稿

When We Become Us²: 威尼斯

Past exhibition
2024年2月24日 - 3月23日
  • 概况
  • 作品
  • 场景图
  • 新闻稿
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Open a larger version of the following image in a popup: Alice Wang 王凝慧, Untitled 无题, 2013

Alice Wang 王凝慧

Untitled 无题, 2013
c-print, permanent installation of a bonsai tree transplanted in the courtyard garden of Galerie Torstraße, Berlin, dimensions variable and expanding 艺术微喷,移植到柏林Torstraße画廊花园中的盆栽(永久性装置),尺寸可变且持续增长
25.4 x 20.3 cm
10 x 8 in
Edition of 3 plus 1 AP
Enquire
%3Cdiv%20class%3D%22artist%22%3EAlice%20Wang%20%E7%8E%8B%E5%87%9D%E6%85%A7%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EUntitled%20%E6%97%A0%E9%A2%98%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2013%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Ec-print%2C%20permanent%20installation%20of%20a%20bonsai%20tree%20transplanted%20in%20the%20courtyard%20garden%20of%20Galerie%20Torstra%C3%9Fe%2C%20Berlin%2C%20dimensions%20variable%20and%20expanding%20%E8%89%BA%E6%9C%AF%E5%BE%AE%E5%96%B7%EF%BC%8C%E7%A7%BB%E6%A4%8D%E5%88%B0%E6%9F%8F%E6%9E%97Torstra%C3%9Fe%E7%94%BB%E5%BB%8A%E8%8A%B1%E5%9B%AD%E4%B8%AD%E7%9A%84%E7%9B%86%E6%A0%BD%EF%BC%88%E6%B0%B8%E4%B9%85%E6%80%A7%E8%A3%85%E7%BD%AE%EF%BC%89%EF%BC%8C%E5%B0%BA%E5%AF%B8%E5%8F%AF%E5%8F%98%E4%B8%94%E6%8C%81%E7%BB%AD%E5%A2%9E%E9%95%BF%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E25.4%20x%2020.3%20cm%3Cbr/%3E%0A10%20x%208%20in%20%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EEdition%20of%203%20plus%201%20AP%3C/div%3E
'Imagine a softly mutating history, a tightly coiled molecular code for BUSH or TREE, then stunt, starve, prune—affect the code into a miniaturized expression: the bonsai. But the bonsai couldn’t...
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"Imagine a softly mutating history, a tightly coiled molecular code for BUSH or TREE, then stunt, starve, prune—affect the code into a miniaturized expression: the bonsai. But the bonsai couldn’t care less about aesthetics. But the artist, whose conscious effort may or may not align with her intent as she runs her mind along the contours of history, affects & shapes, clips off strands of code, translates idea into form. The artist unpots & replants a bonsai in a courtyard & renders the tree an artwork [...]" -- Diehl, Travis, Eyelid Movies, in: Alice Wang, Slippery Contours, published by Galleri Detroit, Stockholm, 2013
“想象一个温和的变异的历史,一个灌木或树的紧密盘绕的分子代码,然后是发展阻滞、饥饿、修剪—影响代码转变成一种微型的表达:盆栽。但是盆栽和美学毫无关系。而艺术家有意识的努力,在她的思绪沿着历史的轮廓漫游时,与她的意图或许匹配,或许并不,感受并赋形、剪辑一条条代码、并将想法翻译成形式。艺术家将盆栽去除花盆,重新移植到一个庭院中,并将那树视为艺术[……]迪尔,特拉维斯,眼睑电影,引自:Alice Wang,滑动的轮廓,Galleri Detroit画廊出版,斯德歌尔摩,2013
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