In his practice, Cai Zebin operates with an acute sensibility to the tropes of history of art which is then transplanting in his oeuvre. In “Perturbed” Cai Zebin adopts the...
In his practice, Cai Zebin operates with an acute sensibility to the tropes of history of art which is then transplanting in his oeuvre. In “Perturbed” Cai Zebin adopts the classical sculptural form: the refined shape of the feet going up to the calf. He then uses bronze chess pieces underneath the heel to create a shift in the visual perspective. The work serves as an extension of the narrative presented in the work “Fulcrum”. In this painting, a pair of feet stands on top of two chess pieces in opposite position. The work explores the dilemma of baring temptation without getting tempted.