报道
• Maxwell Williams, “Houston, we have a problem,” The Art Newspaper, February 15, 2019. (web)
• Jessica Simmons, “A Curious Herbal at Garden,” CARLA, February 14, 2018. (Web)
• Venus Lau, Best of 2017, Artforum, December, 2017. (Print)
• Violet Wang, Modern Icon Profile, Modern Weekly, December, 2017. (Print)
• Nirmala Devi, “Previewed,” ArtReview Asia, Autumn, 2017 (Print)
• Todd Meyers, “Alice Wang, Capsule, Shanghai,” esse, October, 2017. (Web)
• Manuela Lietti, “Alice Wang: untitled,” Art World 艺术世界, Issue #323, October, 2017. (Print)
• Suchao Li, “Alice Wang 王凝慧,” Artco China 典藏, October, 2017. (Print)
• Akira Pontormo, “Ocula Conversation: Alice Wang 王凝慧,” Ocula 艺术之眼, October 18, 2017. (Web)
• Ellie Zhang, “Variable Meaning Within an Unchanging Cycle,” 凤凰艺术, October 10, 2017. (Web)
• Rui Xiao, “王凝慧 Interview,” 798 艺术, October 10, 2017. (Web)
• Peter Hagan, “Alice Wang: Hurtling Towards the Art World,” HuArts, October 5, 2017. (Web)
• Misha Maruma, “Real Rock Art at Capsule Shanghai,” City Weekend Shanghai, Sep 18, 2017. (Print)
• David Bell, “Untitled with Alice Wang,” Notes On Looking, April 24, 2017. (Web)
• Qianfan Gu, “When We Become Us at Capsule Gallery, Shanghai,” Flash Art, November 24, 2016. (Web)
• Maxwell Williams, “The Agenda,” Art In America, January 23, 2015. (Web)
• Charles Donelan, “Review: The Autobiography of Red at UCSB,” Santa Barbara Independent, August 13, 2014. (Web)
• A. J. Samuels, “Slippery Contours,” Artfetch, December 16, 2013. (Web)
• Catherine Wagley, “Five Artsy Things to Do,” LA Weekly, February 14-20, 2013. (Print)
参考书⽬
• Anna Milone, “Prendre la mesure du monde — Sizing up the world,” artist book essay written for Alice Wang, Visitor Welcome Center, March 16 – April 20, 2019, published by Sming Sming Books. (Print)
• Btr, “Geometric Sadness (or Notes on Biosphere3),” translated by Mike Fu, Catalog essay written for Alice Wang, Capsule Shanghai, September 2 – October 18, 2017. (Print)
• Travis Diehl, “Eyelid Movies,” Catalog essay written for Slippery Contours, Galleri Detroit, Stockholm, Sweden, 30 November – 13 December, 2013. (Print)
• Erik Martinson, “The fallacy of misplaced concreteness,” Catalog essay written for The fallacy of misplaced concreteness, Art Gallery of Mississauga, July 18 – September 7, 2013. (Print)
• Between Image and Personality, Catalog published on the occasion of the International Video Art Festival Now & After, Moscow Museum of Modern Art, April 22-May 5, 2013. (Print)
出版物
• Interview with Boris Groys, Nonsensical #5, 2019. (upcoming)
• Alice Wang and Carol Bove, “The Space of Free Play,” X-TRA Contemporary Art Quarterly, 2017.
• Interview with Bruce Hainley, Nonsensical #3, 2016.
• Adventures of Ideas, artist book published by La Bibliothèque Fantastique, Paris, 2012.