The image represented on Untitled (2017) is a non-descript landscape. The viewer identifies with the figure in the foreground, possibly a human figure. The landscape itself could be a constructed landscape or a real landscape, setting us between an imaginary and real space. Particularly interested in German Romanticism, Wang's photo work recalls images seeking to capture an experience of the infinite, such as Caspar David Friedrich's mysterious painting Wanderer above the Sea of Fog, confronting the viewer with the recollection of a sublime space.

《无题》（2017）中的图像是一个无明显特征的风景。观者与画面前景中的形象（或许是一个人像）产生共鸣。景观本身可以是人造景观或真实景观，将我们置于想象空间和真实空间之间。王凝慧对于德国浪漫主义有着浓厚的兴趣，她的摄影作品令人联想起那些试图捕捉对于无限的体验的图像，例如卡斯巴·大卫·佛烈德利赫的神秘画作《雾海上的旅人》，令观众直面对于壮美空间的回忆。