In this work, reminding of puppets, a woman and a man jump together for the sake of love. When following down, the man’s face shows the highest level of terror – forgetting about the pain for love and being able to focus only on his own person – while the face of the woman gets covered by her own skirt, not showing any expressions. The artist reproduced this scene according the logic of art and iconography, where women are usually represented wearing a skirt and when – in this specific case – falling down, the skirt would necessarily come up and cover the woman’s head.