Elizabeth Jaeger 伊丽莎白·耶格
Sudden footsteps 突如其来的脚步声, 2024
ceramic 陶瓷
16.5 x 48.3 x 48.3 cm
6 1/2 x 19 x 19 in
6 1/2 x 19 x 19 in
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Elizabeth Jaeger’s 'Sudden Footsteps' (2024) is a ceramic sculpture portraying a dog in a state of heightened anxiety, seemingly signaling an ominous presence. Jaeger’s oeuvre often delves into the psychological...
Elizabeth Jaeger’s "Sudden Footsteps" (2024) is a ceramic sculpture portraying a dog in a state of heightened anxiety, seemingly signaling an ominous presence. Jaeger’s oeuvre often delves into the psychological and perceptual dimensions of sculptural space, engaging viewers with enigmatic objects that recalibrate their surrounding environment.
Elizabeth Jaeger (1988, San Francisco) lives and works in New York. Jaeger’s dissonant yet poetic sculptures inhabit the space in between ontological categories –– her subtle visual inflections resist definition and embrace the rich mystery and murkiness of our shared reality. Recent solo exhibitions include: Capsule Shanghai, Shanghai; Mennour, Paris and Klemm’s, Berlin. Her work has been included in group shows at Whitney Museum, New York; Museum Sprengel, Hannover; MoMA Ps1, New York; Museum Morsbroich, Leverkusen; Aspen Art Museum, Aspen; Callie’s, Berlin; White Space, Beijing; Lisson Gallery, New York; Sculpture Center, New York; Capsule Venice, Venice; Silke Lindner, New York; Winter Street Gallery, Martha’s Vineyard; and Clima, Milan.
伊丽莎白·耶格(Elizabeth Jaeger)的作品《突如其来的脚步》(2024)是一件陶瓷雕塑,描绘了一只焦虑紧绷状态下的狗,仿佛感知到某种隐秘且不祥的气息。耶格的创作常常深入探讨雕塑空间中的心理与感知层面,通过充满神秘感的物件,引导观者重新审视周围的环境。
伊丽莎白·耶格(1988年生于旧金山)现居纽约。耶格诗意而不和谐的雕塑作品无法被任何单一的存在类别所定义,其视觉上微妙的变换折射了现实本身的神秘混沌。她近期曾在胶囊上海(中国上海)、Mennour(法国巴黎)和Klemm’s(德国柏林)举办个展。她的作品曾在惠特尼美术馆(美国纽约)、Sprengel 博物馆(德国汉诺威)、MoMA PS1(美国纽约)、摩斯布洛赫美术馆(德国勒沃库森)、阿斯彭艺术博物馆(美国阿斯彭)、Callie’s(德国柏林)、空白空间(中国北京)、里森画廊(美国纽约)、纽约雕塑中心(美国纽约)、胶囊威尼斯(意大利威尼斯)、Silke Lindner(美国纽约)、Winter Street Gallery(美国马撒葡萄园岛)和Clima(意大利米兰)等机构和画廊的群展中展出。
Elizabeth Jaeger (1988, San Francisco) lives and works in New York. Jaeger’s dissonant yet poetic sculptures inhabit the space in between ontological categories –– her subtle visual inflections resist definition and embrace the rich mystery and murkiness of our shared reality. Recent solo exhibitions include: Capsule Shanghai, Shanghai; Mennour, Paris and Klemm’s, Berlin. Her work has been included in group shows at Whitney Museum, New York; Museum Sprengel, Hannover; MoMA Ps1, New York; Museum Morsbroich, Leverkusen; Aspen Art Museum, Aspen; Callie’s, Berlin; White Space, Beijing; Lisson Gallery, New York; Sculpture Center, New York; Capsule Venice, Venice; Silke Lindner, New York; Winter Street Gallery, Martha’s Vineyard; and Clima, Milan.
伊丽莎白·耶格(Elizabeth Jaeger)的作品《突如其来的脚步》(2024)是一件陶瓷雕塑,描绘了一只焦虑紧绷状态下的狗,仿佛感知到某种隐秘且不祥的气息。耶格的创作常常深入探讨雕塑空间中的心理与感知层面,通过充满神秘感的物件,引导观者重新审视周围的环境。
伊丽莎白·耶格(1988年生于旧金山)现居纽约。耶格诗意而不和谐的雕塑作品无法被任何单一的存在类别所定义,其视觉上微妙的变换折射了现实本身的神秘混沌。她近期曾在胶囊上海(中国上海)、Mennour(法国巴黎)和Klemm’s(德国柏林)举办个展。她的作品曾在惠特尼美术馆(美国纽约)、Sprengel 博物馆(德国汉诺威)、MoMA PS1(美国纽约)、摩斯布洛赫美术馆(德国勒沃库森)、阿斯彭艺术博物馆(美国阿斯彭)、Callie’s(德国柏林)、空白空间(中国北京)、里森画廊(美国纽约)、纽约雕塑中心(美国纽约)、胶囊威尼斯(意大利威尼斯)、Silke Lindner(美国纽约)、Winter Street Gallery(美国马撒葡萄园岛)和Clima(意大利米兰)等机构和画廊的群展中展出。