Tian Jianxin’s 'Eye Drops' (2024) combines elements of surrealism and everyday objects. The piece depicts an eye with a drop, resembling a tear. What makes the work particularly intriguing is...
Tian Jianxin’s "Eye Drops" (2024) combines elements of surrealism and everyday objects. The piece depicts an eye with a drop, resembling a tear. What makes the work particularly intriguing is the medium and the transformation of the ordinary object used to create the image. The eye is realized on an aluminum lid, most likely the cover of a pot, which brings a sense of everyday domesticity into the artwork.
In this piece, the pupil of the eye is reimagined as the handle of the pot, blending the human form with the utilitarian object in a subtle yet striking way. The combination of the human eye and the pot lid creates a tension between the organic and the manufactured, inviting the viewer to reconsider the significance and symbolism of these objects when placed in this unexpected context. The drop enhances the emotional and metaphorical weight of the work, suggesting themes of vulnerability, fragility, and the passage of time.
Tian Jianxin was born in Baoding, Hebei Province, China in 1994, and currently lives and works in Beijing. He received his bachelor’s and master’s degrees in sculpture from the Central Academy of Fine Arts in 2018 and 2022. Having been trained in classical sculpture, Tian blends the profound simplicity of Buddhist statuary, the wit of folkloric figure-making and the naturalistic objectivity of classical Western sculpture to create full-bodied forms, while making a humorous twist through his reconstruction of found everyday objects, ranging from kitchen utensils to architectural ornaments. Glimpses of the artist’s lived experience emerge from the history and traits of the altered objects, composing a myth of mundanity.