春日解药
Past exhibition
Maya Kramer 玛雅·克莱默
Fire and Ice 冰与火, 2019
Xuan Paper, acrylic paint on aluminum panel 铝板上宣纸、涂料与丙烯
66 x 90 x 10.5 cm
玛雅的创作包含着她对人类、自然和机器的世界的观察和思考，从强烈的雕塑家的方法出发，带有诗人般的感性和评论家的反思与智性。这个作品系列呈现出的人造颜色，像霓虹灯或是光污染，并阴刻出鸟的碎片。具有象征性的切割图形，空间被艺术家处理成阴刻形态，作品背面的鲜明涂料能够自然地反射在背后的白色墙壁上。由此产生的效果使表面上的“镂空”变得更奇异。 Kramer’s art reveals her observations and reflections on humanity, nature, and the mechanical. She approaches art with the intensity of a sculptor, the sensitivity of a poet, and the...
玛雅的创作包含着她对人类、自然和机器的世界的观察和思考，从强烈的雕塑家的方法出发，带有诗人般的感性和评论家的反思与智性。这个作品系列呈现出的人造颜色，像霓虹灯或是光污染，并阴刻出鸟的碎片。具有象征性的切割图形，空间被艺术家处理成阴刻形态，作品背面的鲜明涂料能够自然地反射在背后的白色墙壁上。由此产生的效果使表面上的“镂空”变得更奇异。
Kramer’s art reveals her observations and reflections on humanity, nature, and the mechanical. She approaches art with the intensity of a sculptor, the sensitivity of a poet, and the insight of a critic. This series of works glows with artificial colors that resemble neon lights or light pollution, rendering indented fragments of birds. It reflects Kramer’s interest in negative space with figurative cut outs allowing bright paint on the back of the work to naturally reflect on the white wall behind it. The resulting effect gives eerie life to the ‘emptiness’ on the surface.
Kramer’s art reveals her observations and reflections on humanity, nature, and the mechanical. She approaches art with the intensity of a sculptor, the sensitivity of a poet, and the insight of a critic. This series of works glows with artificial colors that resemble neon lights or light pollution, rendering indented fragments of birds. It reflects Kramer’s interest in negative space with figurative cut outs allowing bright paint on the back of the work to naturally reflect on the white wall behind it. The resulting effect gives eerie life to the ‘emptiness’ on the surface.
展览
2022“植物的归属”，卷宗盒子，厦门市鼓浪屿
