artnet | How Shanghai’s Art Scene is Transforming, from Hangzhou to West Bund

Cathy Fan, artnet, 2024年11月14日
“Very quiet.” That’s how several people I spoke to before Shanghai Art Week last week described the atmosphere. Still, it remains China’s biggest annual art event, especially for the mainland. The week is grounded by two homegrown art fairs: ART021 Shanghai Contemporary Art Fair and West Bund Art and Design, both of which touted some sales even if at lower prices and at a slower pace than in past editions. Yet, beyond the fairs, the city’s art scene is changing shape. Here are five of the biggest trends I noticed this year.
 

 
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The Shanghai art market, radiating outward to China’s affluent Yangtze River Delta area, is finally beginning to take shape.

 

The nearby city of Hangzhou has a poetic history and cityscape: It was once the capital of the Southern Song Dynasty and is now the home of e-commerce giant Alibaba and renowned for its thriving commerce and private entrepreneurship. In recent years, the city has become a magnet for artist-run alternative spaces. 

 

This year, Hangzhou successfully attracted a critical mass of the art crowd heading to Shanghai, thanks to the citywide “Make a Swing Art Week” initiative, spearheaded by By Art Matters, a museum founded by fashion mogul and major collector Li Lin.

 

Over several decades, the city’s China Academy of Art (CAA) has nurtured talents who have greatly contributed to China’s art market. Artist Feng Chen, whose studio I visited, is a quintessential example. He frequently commutes between the two cities on a one-hour high-speed train and is represented by gallery Capsule Shanghai.

 

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