Alessandro Teoldi’s terracotta relief "Still Life" (2022) is an intricate exploration of form, texture, and depth. The work features a composition of bottles, a wine glass, and a table napkin, rendered in a way that transforms the traditional still life into a multi-dimensional experience. The relief is constructed in layers, with each element — the bottles, glass, and napkin — emerging from the surface in varying degrees of relief, creating a tactile, almost sculptural effect.

Alessandro Teoldi, born in 1987 in Milan, Italy, is currently based in New York. He earned his MFA in Photographic Studies from ICP-Bard College in 2013 and a BFA in Photography from IED - Istituto Europeo di Design in 2009. Teoldi’s multidisciplinary practice includes textiles, sculpture, drawing, and installation, exploring themes of connection, memory, intimacy, and queer desire. He often repurposes materials like airline blankets, stones, and cement, transforming them into new narratives that engage with their histories. His work has been showcased in various exhibitions, such as “Dopo la pioggia” at Marinaro in New York (2025), “Dipinti” at Capsule Venice in Italy (2024), “Looking Back” at Capsule Shanghai in China (2023), Ceramics Museum of Savona in Italy (2024), the Flag Art Foundation in New York (2021) and Magazzino Italian Art in New York (2020).

亚历山德罗·泰尔迪的赤陶浮雕《静物》（2022）是对于形式、质感和纵深的巧妙探索。作品描绘了一组瓶子、一个酒杯和一块餐巾，将传统静物转化为多维体验。浮雕以不同层次去处理每个元素，营造出一种富有触感和雕塑感的视觉体验。